Of the fifteen or sixteen
avenues of the City, Fifth is
known as the Avenue by way of
distinction. It is, by all odds,
the most handsome and exclusive
street of the Metropolis, the
only one that has thus far
resisted the encroachments of
trade and railways, and defied
the peculiar regulations of our
municipal government. Every few
months an innovation is
attempted upon the fashionable
thoroughfare, which has too much
strength, through its wealth, to
submit to any vulgar alteration
in its settled courses.
Fifth avenue exclusiveness must
be purchased at large prices;
for it always offers temptations
to private speculators and
corrupt legislators. It even
prefers fashion to fortune, for
the reason that it has more of
the latter than the former, and
it would rather be over-generous
than under-genteel.
"Let me alone; let me be as I
want to," says the Avenue to
outside barbarians, in nervous
anxiety, its hand upon its
purse, "and I will pay without
stint the most exorbitant of
demands."
Street railways are the periodic
terror of the Avenue. Though
loud threats are made to put
them there, there is little
danger of their establishment;
for the prosperous quarter knows
better than Walpole that few men
fail to be convinced by monetary
arguments. Who has the most
money wins in New York, where
the long as well as the short
race is to the fullest purse.
Whenever a house is for sale or
rent in the Avenue, its
residents feel a profound
interest in the character of the
inmates that are to be. They
dread lest the mansion may be
converted to unworthy uses; lest
they may be hourly shocked by a
plebeian neighbor who is what
they themselves were twenty, or
five years, or perhaps a few
months before. Their vigilance
is sleepless in this regard,
still they have often been
compelled to buy out common
tradesmen, and ambitious
courtesans, and enterprising
blacklegs, who had purchased an
abiding place in the socially
sacred vicinage. There have been
those whom bank accounts and
bank checks could not persuade.
Madame Restell, the notorious
abortionist, and gamblers by the
score, and Cyprians by the
dozen, have penetrated into the
street, and cannot be gotten rid
of for largess or for logic.
Yet the energy and munificence
of the Avenue, in the endeavor
to keep out the unanointed, is
commendable from its
stand-point, and in another
direction, would be productive
of no little good. It is a
defect of our perception that we
expend our strength against the
current of events.
It is the habit of New Yorkers
to style Fifth avenue the first
street in America. So far as
wealth, and extent and
uniformity and buildings go, it
probably is. But in situation,
it is far inferior to many
thoroughfares I might name.
Beginning at Washington square,
it extends above Harlem; and,
far as Fifty-ninth street, it is
almost an unbroken line of
brown-stone palaces. The
architecture is not only
impressive, it is oppressive.
Its great defect is in its
monotony, which soon grows
tiresome. A variation, a
contrast something much less
ornate or elaborate would be a
relief. Its lack of enclosures,
of ground, of grass plats, of
gardens is a visual vice.
Block after block, mile upon
mile, of the same lofty
brown-stone, high-stoop,
broad-staired fronts wearies the
eye. It is like the perpetual
red brick, with white steps and
white door and window facings
for which Philadelphia has
become proverbial.
One longs in the Avenue for more
marble, more brick, more iron,
more wood even some change in
the style and aspects of the
somber-seeming houses, whose
occupants, one fancies from the
exterior, look, think, dress and
act alike. One might go, it
appears, into any drawing-room
between the Park and old
Parade-ground, and he would be
greeted with the same forms; see
the same gestures; hear the same
speeches.
The stately mansions give the
impression that they have all
dreamed the same dream of beauty
the same night, and in the
morning have found it realized;
so they frown sternly upon one
another, for each has what the
other wished, and should have
had alone.
The slavish spirit of imitation,
with poverty of invention, has
spoiled the broad thoroughfare
where we should have had the
Moorish and Gothic, Ionic and
Doric order, Egyptian weight
with Italian lightness, Tudor
strength with Elizabethan
picturesqueness. It is a
grievous pity that where there
is so much money there is so
little taste.
The sum of Fifth avenue wealth
is unquestionable far beyond
that of any street in the
country. The dwellings cost
more; the furniture and works of
art are more expensive; the
incomes of the inmates are
larger and prodigally spent than
they are anywhere else on the
Continent.
The interior of the houses is
often gorgeous. Nothing within
money's purchase, but much that
perfect taste would have
suggested, seems omitted. Few of
the mansions that do not reveal
something like tawdriness in the
excess of display. The outward
eye is too much addressed. The
profusion is a trifle barbaric.
The subtle suggestions of
complete elegance are not there.
Still, to those who have
suffered from the absence of
material comfort, or to those
whose temperaments are
voluptuous and indolent, as most
poetic ones are, a feeling akin
to happiness must be born of the
splendid surroundings that
belong to the homes of the Fifth
avenue rich.
What soft velvet carpets are
theirs; what handsome pictures;
what rich curtains; what
charming frescoes; what marbles
of grace; what bronzes of
beauty; what prodigality of
prettiness! The soft, warm, yet
fresh odor of luxury comes from
every angle; fills the
corridors, and the delightful
chambers, where sleep seems to
be hidden beneath the spotless
pillows of lace, steals out of
the half-open library, where
hundreds of morocco volumes
stand silent with the treasures
of time and mind in their
keeping; creeps up and down the
stairways, like the breath of
flowers blown by the gentle
wind.
Whatever the senses could ask,
or culture require, or fancy
crave, might be had in the
walled paradise of those
splendid homes. Dishes so
delicate as to tempt the most
surfeited appetite; wines rich
enough to woo an anchorite to
their tasting; music Mozart, and
Mendelssohn, and Beethoven to
cheer and soften, to strengthen
and console; tomes of bards and
sages to life the thoughts to
ideal possibilities all these
are to be found there. Fair
harvests may be gathered every
minute of the day or night; and
he who takes not up the golden
sickle in the fragrant field, is
more to be pitied than he who
sighs for flowers in a sterile
waste.
Too sad for tears is the bitter
fact that everything palls; that
the highest and best satisfies
only for a time. They who live
in the midst of such splendor
grow so familiar with it that
they value it not. They are
pared a certain number of wants,
but others are felt that may not
be supplied. The spirit is not
satisfied with junketing; the
vacuities of the heart may not
be filled with shows of pleasure
or the tinsel of display. It is
good to be rich; but it is
better to be contented.
"Remove the banquet where
Sympathy will not come," says
every starving soul some time in
its progress, "and spread the
humblest board where Love may
sit." See that fair woman, robed
like a queen beauty in face and
form, and grace in every motion.
What has she to sigh for? What
can she need, with wealth, and
position, and friends, and a
generous heart? Nothing that she
has; everything that she has
not. Her generous heart, that
should have been her blessing,
has proved her bane. Her husband
is not her love, and never was.
She is wife in name merely; and
to be such is to be accursed
with seeming. She is married,
not wedded; bound in law, though
not in affection. She obeyed
Fashion's dictates, and Nature
exacts the penalty.
How she longs, in her splendid
desolation, for the love of
children that do not come for
all her longing! How she thrills
in sleep with the kisses of the
babe that kindly dreams send to
her, and presses the airy cherub
to her unnursed bosom! The
tender eyes open, and the
happiness has gone. He sleeps
heavily at her side, and she
shrinks away from the dreaded
touch that always wakes her like
a shock. O, the woe of those
whom Man has joined together,
and God does not put asunder!
Tall and dignified is the
handsome-looking man who sits
abstracted at breakfast, over
the morning paper, and whom the
money-article does not even
attract. His spouse seems cold,
and his children distant,
grouped at the oval table amid
the silence of unsympathy that
tells what words cannot. He has
speculated, and traveled, and
gratified such ambitions as most
men have. But they are empty in
this hour the still,
introspective, conscientious
hour, which none of us can
wholly escape.
He remembers the landscape that
he loved to look upon fifteen
years before the creeping river,
and the distant village, whose
spires winked through the
twilight; and the lithe form
that slipped away from his arms
until it rested on the grass,
and the little head lay still in
sleep upon his lap.
He remembers the coming out
of the stars, and the bending
down of kissing lips to the
brown hair, and the walk
homeward, when the milestones
would not stay apart, and the
struggle between the
fascinations of the great city
and the narrow life in the
humble town, and the surrender
of love to stronger lures. Alas,
he left his happiness behind,
and learned the truth too late!
It is with all of us as it is
with him and her. We miss the
way of life because human
destiny is dark. We discover
where our peace was when we can
no longer grasp it. We ask for
the beautiful vase we dashed to
pieces in our petulant mood. We
yearn for the impossible, and
think it dearest because it is
impossible.
Our hearts will not bear
examination. Our experiences may
not be told, for they are
bitter, and teach nothing even
to ourselves. Let the World spin
down its grooves, and let us
spin with it, and cry amen to
others' prayers, and praise the
shams that are put upon us every
day of the year.
Come out of the houses that are
not homes. Come into the street,
the crowded Avenue where life
overflows, and drowns disturbing
thought.
What a glitter of carriages! How
the well-groomed horses beat the
pavement, hour after hour, all
the way to the Park! Those men
and those women daintily
dressed, wreathed in smiles, are
not like him and her we saw
within those handsome walls.
Oh! no; they have no skeletons
in their gilded cabinets. The
festering wound is not behind
those clustering gems. We none
of us have woes to speak of to
the many. But the stern angel
who bears about the key of
sympathy, unlocks velvet doors
that lead to haunted chambers
and to charnel vaults.
The brown-stone fronts, with all
their likeness, admit very
different guests. The people who
live side by side in the
pretentious Avenue, know each
other not. Knickerbockers and
parvenu, the inheritor of wealth
and the architect of his own
fortune, the genuine gentleman
and the vulgar snob, reside in
the same block.
One house is visited by the
best and most distinguished; the
house adjoin, by men who talk
loud in suicidal syntax, and
women who wear hollyhocks in
their hair, and yellow dresses
with pink trimmings. Here dwells
an author whose works give him a
large income; over the way, a
fellow who has a genius for
money-getting, but who cannot
solve the mysteries of spelling.
Into this plain carriage steps a
self-poised, low-voiced,
sweet-faced woman, while, just
opposite, a momentous "female"
throws herself into a new
landau, and orders the coachman
in showy livery, to drive to
"Tiffany's right straight before
all them diamonds is gone."
On the sidewalk, Mrs. Merit
passes quietly; and her perfect
air of good-breeding is not
altered by the high tones of
"Mrs. Colonel Tuft hunter," who
says to the bonne at the door,
"Prend garde du ma infante
jusque je revins."
At this the bonne, who chanced
to be born in Paris instead of
Dublin, looks blank, and replies
in good French, which her
mistress no more understands
than did the maid her mistress'
barbarisms.
Some of the most spacious and
expensive mansions in the Avenue
always have a deserted look.
Only the occupants and servants
appear on the high, carved
stoop; only the carriages the
master of the establishment
owns, stop before the door.
That family purchased a house in
the Avenue, but Society has not
accepted its members. They have
nothing but a new fortune to
recommend them. They must bide
their time.
The first generation of the
unrecognized fares hard. The
second is educated, and the
third claims lineage; prates of
"gentility," and frowns upon
what its grandparents were. To
get into the Avenue, and into
its Society, are different
things.
They who struggle to enter
certain circles are not wanted.
Those who are indifferent to
mere fashion are in request; for
not to seek, socially, is
usually to be sought. Destiny
appears willing always to grant
what we do not want, and
determined to withhold what we
do.
Very many of these houses have
histories that would furnish
abundant themes for the
old-fashioned, three volume
English novel. Every day that
passes within them would supply
comedy and tragedy, one or both,
if they who know would tell. One
meets there, any time, women
looking so pure their faces
would almost contradict facts,
yet part of their lives, if
reveled, would repel their
dearest friends. Those women are
good and bad, as we understand
the terms. Their faults would
shock, and their virtues win us.
With our foot we might spurn;
with our hand we should caress.
Men we encounter in the Avenue
have the angel and devil
commingled in their being. They
are neither so faulty nor so
faultless as is believed. They
are half divine, yet wholly
human. They represent the World.
Circumstance drives, Temperament
binds them.
Fifth avenue has its shams, and
follies, and evils. But go there
or elsewhere, and, when we have
pondered deeply enough, we shall
see that Charity ends what
Sympathy begins.